A while back one of my fellow Fine
Ounce Collective members wrote an amusing piece about her (as she termed them) “well-organized,
calm and collected” German companions at the Design Indaba Expo 2012. The
writer went so far as to state that she would prefer to be German in her next
life (http://fineouncegoldsmithcollective.blogspot.com/2012/03/double-sided-design-indaba-baba.html).
Being German myself (if only by
descent, background, education and mother-tongue) I could relate to the
writer’s observations. Some of us tend to be well organized, and yes, some of
us rarely panic (at least not in an easily discernible way). There is, however,
a conundrum involved with “being German”. The dilemma is best expressed in the
series of images below:
How the world would look if we would
all be German:
(images courtesy of a private email received)
You laugh? Me too – because the
essence is only too true for me: with my tendency and/or urge to organize,
label, classify and neaten everything, I often find myself taking away from
things (usually considerably), rather than adding to them… especially when it
comes to my creative work.
Before I elaborate, I would like to
interject that being from German descent certainly does not account for my way
of approaching and doing things on its own. Upbringing, habit and personality
are other major contributing factors. For myself, however, I have come to refer
to the outcome of the entire bundle of influencing dynamics as “being German”,
and it is within that rather epitomizing sense that I use it here.
Thus, in relation to my creative
practice, I often consider “being German” as both my best and my worst attribute.
When it comes to technical detail and craftsmanship, my inherent need for
perfection, precision and neatness is definitely well placed. I pride myself on
the technical quality of my pieces – even though I have to guard against finishing
them off until too little of them remains to ensure their structural integrity.
Similarly, when seeking solutions to technical problems, my engineering-like
“Vorsprung durch Technik” mindset usually yields some interesting, positive
results.
When it comes to the truly creative
part of my work, however, I often feel profoundly inhibited by my “German”
characteristics. Allowing chaos to exist, even only on paper in my design
pages, is often a real challenge for me. The urge to straighten and neaten
lines, and to impose a system where perhaps there should be none, is
considerable. Also, to embrace deviations from anticipated and planned outcomes
of ideas, processes or techniques is often somewhat arduous.
How then, do I deal with the dilemma
of “being German”?
I somehow realized early on that my
creative practise and its outcomes are an inevitable mirror of who I am, the
life I lead and the way I think and feel about it. My jewellery is such an
integral part of my self-expression that, in order to have any effect on it, I
would have to change the fabric of who I am and how I operate. I wanted to
break through my limiting boundaries, and so worked at it deliberately: trying
to be more spontaneous in my approach to life, learning to trust invisible,
undefined, unpremeditated processes, seeking to exercise less control over my
surroundings, attempting to steer away from perfection in everything but the
technical execution of my pieces, consciously opening and exposing myself to
the “strange” and “unfamiliar”, allowing chaos to exist and refraining from
seeking out and establishing systems everywhere.
Did I succeed in some way?
In some small, encouraging ways, yes:
my home is a bit less than perfectly neat these days, I welcome serendipity
into my creative process more readily, I play and experiment more, and now and
again I succeed in not taking everything so serious. These tiny changes reflect
in my work, which has gradually evolved over the past years to become somewhat
more light-hearted and playful, less structured and perhaps thus slightly more
accessible. Yet, even though these achievements are heartening, it will
probably be an on-going battle for me, fighting the urge to structure and systemize
the playground and so take away from its essence and lively beauty.
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